The idea of “exhibition” originated in 17th-century Europe, and the focus on cultural heritage determined the design of the exhibition space. But regardless of aesthetic style, history and material characteristics, calligraphy, paintings, text, seal carvings and objects all have their own cultural contexts. Our appreciation of them should therefore constitute a separate discipline. Living in a culturally hybrid and technologically advanced modern city, how do artists open up an aesthetic world that is both traditional and new? How do they arrange the exhibition space to have a dialogue with the audience?